#Nikon d90 manual
Since most consumer camcorders lack a manual iris control, and since very few camcorders offer very wide apertures, such depth of field control has not been possible for most video shooters.
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By blurring out the background of a shot, a cinematographer can bring more attention to a subject, and create beautiful blurry backgrounds.
#Nikon d90 movie
One of the big advantages that film movie cameras have always had over digital camcorders is the option to shoot with very shallow depth of field. From wide-angle and fisheye lenses to long telephoto lenses and perspective-distorting tilt/shift lenses, the same lens options that make for flexible still shooting with an SLR allow you to shoot with lenses that you’d never find on a video camera. What’s compelling about the D90’s video capability is the shooting flexibility provided by the Nikon lens system. Unfortunately, the autofocus sensors are up near the viewfinder, so when the mirror flips up, the camera loses its autofocus capability. However, as with most SLR Live View modes, there are some caveats to bear in mind.ĭuring Live View, the camera must flip up its mirror–the mirror that normally feeds light to the optical viewfinder–to expose the sensor in order to create an image for the LCD.
![nikon d90 nikon d90](https://fixthephoto.com/blog/UserFiles/Image/222/22/19/1/best-lenses-for-nikon-d90.png)
The D90 packs a Live View mode activate it, and you can use the camera’s LCD screen as a viewfinder. While point-and-shoot camera users are accustomed to using their camera’s LCD as a viewfinder (and often have no other choice), LCD Live View on SLRs is still fairly recent. The rest of us can simply edit our images as we need. This is a nice addition for tailoring the camera’s processing to very specific conditions, though this feature is really only worth the trouble if you are a high-volume, fast-turnaround shooter. Nikon has expanded the Picture Controls feature (preset image processing parameters that allow the camera to adjust JPEG images in-camera) by allowing you to define custom Picture Controls using bundled software. This is a fairly common feature on SLRs now, and it definitely does help reduce dust troubles, so it’s a welcome addition to the D90. When you power the camera up or down, the D90 vibrates its sensor to shake off dust. The D90 also includes this feature, but adds a sensor cleaning mechanism to the camera.
#Nikon d90 software
The D80 included an Image Dust Off feature, which allowed you to shoot a dust “reference” picture that could be used by Nikon’s software to remove dust spots from your image. Burst speed has been increased from 3 fps on the D80 to 4.5 fps on the D90, and the D90 also has an improved servo focus, which tracks a moving object and keeps it in focus. ISO sensitivity for the D80 was 100 to 1600 that’s been improved to 200 to 3200 on the D90, with a special boost feature that lets you achieve a slower ISO 100 and a faster ISO 6400. This LCD is exceptional, and while it’s still not good enough to accurately gauge focus, its brightness and clearness is a joy to work with.
![nikon d90 nikon d90](https://www.adorama.com/images/Large/inkd9070.jpg)
The D90 has a 3-inch, 920,000-pixel LCD Nikon first used this LCD on the D300 ( ).